The Csárdás Princess
March 12, 18 and 19
Music by Emmerich Kálmán
Directed by Gerald Frantzen Conducted by Mark Taylor
Please read through carefully. You will be able to submit an audition request at the end of the page.
The show will be sung in English.
The show will feature a 24-piece orchestra.
All performers are paid. No housing is provided.
CFO reserves the right to screen auditonees.
St. Christopher’s Episcopal Church 545 S. East Ave. Oak Park, IL 60304
Click on photo for map. Enter through the Adams street entrance.
What To Sing/perform: (read carefully)
Sing aria or two 32 bar musical theater selections (opera, operetta or musical theater) of contrasting styles, which show full range and acting ability. At least one selection must be in English. Seeking singers (musical theater/opera) and actors who sing. Dancing is a plus. An accompanist will be provided. The singer must also prepare a one minute memorized comic monologue. (no selections from An Ideal Husband) A monologue must be prepared (no exceptions).
What to bring: (read carefully)
1) 2 resumes with most recent experience.
2) An 8×10 headshot. (no exceptions)
3) Music and monologue. No exceptions.
4) Your personal calendar with lists of conflicts. (This is very important)
What DATE/ TIMES:(read carefully)
March 12 at 7-10 PM St. Christopher’s Church, Oak Park, IL
March 18 from 6-10 PM St. Christopher’s Church, Oak Park, IL
March 19 from 7 – 10 PM St. Christopher’s Church, Oak Park, IL
As part of our Reclaimed Voices series, we present one of the crown jewels of operetta: The Csardas Princess (Die Csardasprinzessin), by Emmerich Kálmán. This stunning work has been largely ignored in this country, despite its popularity in Europe and Russia. Why the neglect? One cannot ignore the politics surrounding the two world wars, as well as the trend away from anything that reminded the public of the romanticism of pre-war Vienna.
Written in 1915, the show played on Broadway under the title The Riviera Girl in 1917 – just as the U.S. was entering “The War to End All Wars.” Broadway would not prove to be the boon that Kálmán had been seeking. It ran for only 78 performances. P.G. Wodehouse and Guy Bolton, who were responsible for The Riviera Girl’s book and lyrics, admitted that the fault lay with them, not with Kálmán. Wodehouse later wrote that “the Kálmán score was not only the best that gifted Hungarian ever wrote, but about the best anybody ever wrote.” With America’s entry into the War, anti-German sentiment was high, precluding more performances of the show. It would not be performed again in this country until 1932, when it was given at the St. Louis Municipal Opera and warmly received.
The lesson of The Riviera Girl was that the libretto of The Csardas Princess did not require much revision. In its original form, the show remained popular in Europe until the advent of the Third Reich. Kálmán’s music was so popular that Hitler, himself a fan, offered Kálmán the designation of “honorary Aryan.” Kálmán refused and was compelled to leave Vienna. The Second World War would take a tremendous toll on Kálmán. Although he managed to escape, first to France and then to America, many of his relatives died at the hands of the Nazis. Settling in California, Kálmán suffered the indignity of having his music declared “degenerate” by the Nazis while finding himself in a strange country with no prospect of work. He tried writing film scores, but the industry proved to be a hard fit. The only real rival to Franz Lehár, Kálmán died in 1953, leaving his last show, Arizona Lady, a homage to his adopted country, unfinished. (We gave the U.S. premiere in 2010.)
Critics consider The Csardas Princess to be Kálmán’s masterpiece.
Show runs July 7 to July 22, 2018
STAGE 773 Theater in Chicago.
Folks Operetta is a 501(c)3 non-profit theater company and an equal opportunity employer. AGMA card holders must submit release forms to participate in our productions.